FOCUS – Artists of the STA Region

A very special exhibition celebrating local Artists through the lens of seven leading local photographers. One STA Region – 7 Professional photographers – 37 Artists. An Amazing profile of the arts in our region.

Focus started as a region wide photographic professional development project for creative practitioners to receive professional quality images of their work and a portrait. Seven local professional Focus photographers delivered photography sessions with these creatives across the 7 local government areas. These images were gifted back to each artist to support their creative practice.

 

One STA Region – 7 Professional photographers – 36 photo sessions– 126 images of works of art – 42 portraits. 1 Amazing profile of the arts in our region.

Camilla Duffy Hilltops
Instagram

Hamish Ta-mé, Wingecaribee
Find out more 

 

 

 

Tenille Salmon, Wollondilly
Instagram

Michael Thomson, Goulburn Mulwaree
Find out more


Susan Bell, Yass Valley
Instagram

Frank Lidner, Queanbeyan Palerang Find out more

 

Tina Milson, Upper Lachlan
Find out more

Featured Focus Artists 

Al Phemister

Home has been the centre of Al’s domestic and working life for the past 20 years. His children were born there, and it is this constantly evolving environment that inspires and nurtures the creative process. Home for he and his wife is such an evocative thing. It is the backdrop for family celebrations, friends coming and going, a procession of beloved pets, happy times and quiet times.

 

Elements such as texture and embellishment, found in any seasonal garden, are constants in Al’s sculpture. A mixture of functional and decorative aspects, incorporating found objects, together with new and recycled materials. These elements are fused into a design that becomes part of a growing and changing environment, where plants, dreams and love flourish.

Photography by Camilla Duffy

Carl Velerius
Carl Valerius is a sculptor who lives in the country NSW town of Harden Murrumburrah. He comes from a family of stone masons and sculptors and crafted his first sculpture at the age of 5. His great grandfather worked on the Melbourne Town Hall when it was being built.

His favourite sayings are, “Without intrinsic knowledge of the past, we will not understand our present.” (Marcus Valerius, 15 AD), and, “When suspicion turns to dogmatic intolerance, conflict is inevitable.” (Carl Valerius, 2003).
With a family lineage back into antiquity, the arts is in Carl’s blood. 
When he was a young man, Carl worked on the Chinese Gardens in Darling Harbour, Sydney, and restored the first dry dock in Sydney. After that, he completed many private commissions, working with the architect, Vladimir Sitta, which are featured in the book, ‘Transforming Uncommon Ground’ by Tempe Macgowan. 
Since moving to Harden, Carl has designed and built the Lambing Flat Chinese Tribute Gardens in Young, has sculpted the bronze statue of Bill the Bastard in Murrumburrah, replaced a marble statue for the WW1 monument in Walgett and crafted the Antipodean in bronze for the National Museum in Canberra. He has also restored the Binalong Catholic Church and the Galong Cemetery, both of which won National Trust awards. 
Carl is currently working on a Boer War monument which includes a tribute to Queen Victoria in Gundagai, restoring the Royal Doulton fountain in Narrandera, of which there are only two in the world, as well as restoring the rotunda in Leeton.

 

Army Nurse, First World War, 2023
White casting resin
28cm high

Ram’s head, 2024
Oil based clay – to be cast in bronze
Life size

Bust of Henry Lawson, 2013
Oil based clay
Life size

Photography by Camilla Duffy

Denise Scholz Wulfing
Born in Sydney, Australia, Denise attended City Art Institute, now UNSW Art & Design, in the early 1980s majoring in drawing. Initially interested in painting and drawing Denise attended life drawing classes for many years at East Sydney Technical College at Darlinghurst. Exhibiting at galleries including Holdsworth contemporary galleries at Darlinghurst. Denise’s interest in printmaking combined elements of both painting and drawing. By attending short printmaking courses where she developed confidence and proficiency in the many skills involved in the production of a successful fine art print, specifically etching. With an ongoing interest in the narrative and figurative work of old masters’ Denise enrolled in a M.Lit. (Visual Arts & Design), enabling her to produce a series of etchings and a thesis inspired by work of Pieter Bruegel the Elder. Many series of etchings followed, inspired not only by Pieter Bruegel but also by William Hogarth, William Blake and the ideals of Renaissance masters. Much of this work was exhibited at galleries in Sydney, such as Mura Clay in Newtown and Max Taylor Galleries in Summerhill. Recognized by her peers Denise became a member of Sydney Printmakers in 2007, and has participated in many touring and local, national and international exhibitions organized by Sydney Printmakers. Buying a property in country NSW in 2008 and building a mudbrick house has sparked a new direction in Denise’s narrative, figurative style. While the human figure remains significant in her work many rural subjects and the landscape are appearing, with much of her subject matter inspired by the area around Boorowa. Finally making the move to Taylors Flat in 2023, Denise’s work is now often set in the bush and while still referencing mythological and Biblical subjects it is also populated by creatures living in and around the countryside from sheep to shinglebacks. Denise has also become involved in the local Hilltops community, and has been instrumental in the establishment of the Boorowa Museum Print Studio, giving demonstrations of letterpress printing, composing and typesetting on the old Boorowa News printing press to the general public. Denise has been involved in many group and solo exhibitions and has been awarded many prizes, including the Camden Art Show, Ryde Art Prize (prints), RAS miniature prize, RAS Print Prize, and been a finalist in the Portia Geach Award, the Blake Prize for Religious Art, the Burnie Print Prize and the Fremantle Print Award

 

Job Gives Alms, 2011
Etching and collagraph
$300
Australia Day on the Lachlan (detail), 2018
Etching
$350
Paddocks, Gums Trees, Taylors Flat, 2017
Etching, sepia ink on cream paper
$320

Photography by Camilla Duffy

Derryth Nash
A lover of nature and all things natural, Derryth Nash’s art evokes a sense of serenity characterized by the natural forms of the living world. Birds, landscapes, and the human form are often featured in her pieces as she plays with color, texture, layers and soft backgrounds. A hippy at heart, Derryth is grateful to have extensively travelled and be living in the amazing country of Australia, drawing inspiration from its glorious landscapes.

 
Derryth is a local artist based in Yass, where her work is displayed at the Yazzbar Winery and Winns Creek Meadery. She has completed a variety of commissioned pieces, showcasing her versatility and unique artistic voice. You can follow her creative endeavors and explore more of her work at www.facebook.com/derrythnashcreative

 

Veronica, 2023
Guoache
$425
Fields of Gold, 2023
Acrylic and Guoache
$425
Finding my Bliss, 2023
Guoache
$425
 

Photography by Camilla Duffy

Therese Crowe
I love the Australian landscape, rural life and its people. These are my most common subjects. I have always been drawn to the wonder and beauty of nature, in all forms. I am especially intrigued with its imperfections, character and personality. To create something out of nothing and be able to share it, is my true passion. I love to draw with pencil, as the simplicity of a line can say so much, however I like to think I have no preferred medium. I tend to use the medium which I feel best depicts the subject and mood of my painting or drawing. I endeavour to evoke emotion in my paintings and give a sense of connection to all those who view my work.

Most recently I have been working on portraiture. I enjoy the challenge to not only achieve a likeness but portray personality and emotion.

I constantly challenge myself in subject, media and approach, to keep my work fresh so I may grow and evolve as an artist. Although my work so far has been mostly traditional, I am constantly developing my skills as a foundation to develop and explore further.

I am actively involved in the local community and have been a member of the Harden Murrumburrah Arts Council and the Young Society of Artists for 20 years. It is a pleasure to share the enjoyment of art by sharing the knowledge and skills I have learned. We have recently moved to the village of Murringo where we have renovated the Old Police Barracks and have opened an art gallery and B&B. We invite you to come and visit my studio and art gallery.

Portrait of Charlie Chown, after Vincent Van Gogh Portrait of Patience Escalier 1888, 2016
Oil on board

 

Silver Princess, 2023
Pastel 

Wiradjuri Country, 2023
Oil on canvas

Photography by Camilla Duffy

Suez Hardy
Working in a she~shed underneath a magnificent gumtree in the Hilltops Region.

I am an upcycler, a lover of all that is old, worn and rustic, a self taught artisan, who enjoys and loves creating jewellery from recycled materials sourced locally from scrap heaps and vintage stores.
My hands are my most valuable tool. Each piece is sawn, annealed, filed, shaped, hammered, soldered and finally polished by hand.
My inspiration, motivation and purpose stems from a love of nature. My jewellery provides a greener choice, one that values our earth and is kinder to the environment.

A pendant made for up cycled marble set in recycled Sterling silver.

Melted marble rings set in sterling silver.

A collection of bracelets and necklaces made for recycled metals, copper, brass and sterling silver.

Photography by Camilla Duffy

Barbara Nell
Barbara Nell is an artist and educator living in the Canberra Goulburn region. She has exhibited paintings, drawings and prints throughout Australia and internationally. Her art practice revolves around investigations of light and movement within an urban environment. Exploring family history and cultural contexts, her work celebrates humanity in unfamiliar environments. Undertaking residencies in Italy inspired works depicting the landscape and the celebration of traditional cultural festivals. The inspiration of history and contemporary life continue to influence Barbara’s art practise.

“My passion is to see the world with fresh eyes, creating a sense of movement and uncertainty within the work, with room for reflection at the same time. I’m interested in the viewer’s response to that.”

The themes in her work revolve around the figure, in the context of relationships to others and the landscape. The recurring themes of family history and fictional history have continued in new contexts. Inspired by the unfamiliar, new environments, movement, shadows and figures in nature, Barbara’s art practice continues to investigate these themes through painting, drawing and printmaking.

 

Not Lost ( Marc Portrait), 2023
Oil on canvas
40×40 cm

 

Children Processing, 2017
Oil on Canvas
48x64cm
$650
On a Drive near Goulburn, 2022
Artist’s Book ongoing
Conte and coloured pencil
A4 size

Photography by Hamish Ta-mé

Jodie Kilmister
Jodie Kilmister is a painter who enjoys looking at the natural world a
nd translating that experience into visual art. She lives and works in Mittagong in the NSW Southern Highlands, near Lake Alexandra, which has become a bit of an obsession. Jodie holds an Advanced Diploma in Fine Arts (Painting and Photography), and has studied in the Highlands with Libby Wakefield. She exhibits as a member of Bowral District Art Society, with the Southern Highlands Pop Up Project (June Long Weekend), and on occasion with the Southern Highlands Arts Trail. Jodie was the winner of the Blue Square Art Prize in 2020. She can be found online on Instagram: @jodiekilmister.art .

Summer at Lake Alexandra, 2023
Oil on cradled wood panel,
30cm diameter
Price on Application
Blue for Boys, 2020
Acrylic on canvas,
40 x 40cm
NFS
Waterfall, 2023
Mixed media on paper 56 x 76cm
Price on Application

Photography by Hamish Ta-mé

Kate Hansen

Photography by Hamish Ta-mé

Photography by Hamish Ta-mé

Photography by Hamish Ta-mé

Photography by Hamish Ta-mé

Linda Burgess
My passion is working with natural and constructed materials, keeping them out of the waste cycle. I enjoy finding natural forms in wood off-cuts, challenging myself to make the tiniest scrap into something fun or beautiful. The wood I use is sustainable: pruned from my garden, gifts from friends and family who find me interesting pieces of wood, weed trees, nails and wire. I am always trying to source re-used, waste or leftover wire, nails and other materials with potential. I make both useful and whimsical objects, from birds, to bird houses, nesting boxes, garden sculptures, log reindeer, boxes, ornaments, bowls, jewellery and more.

Glossy Ibis, 2023
Reclaimed hardwood, fencing wire, reclaimed Oregon, tacks, and acrylic.
40 cm wide x 20 cm deep x 60 cm high
$110

Bitsy Bird, 2023
Reused tape measure, nails, screws and wood
30 cm high x 15 cm deep x 30 cm high
$85

Christmas trees, 2023
Wood, watercolour, varnish
Various sizes from $5-$20 always available

 

Photography by Hamish Ta-mé

Tracy Hopkirk
Tracy is a jeweller with 30 years of experience, studied Jewellery and Silversmithing at The Sydney College of the Arts. Her work, which includes both intimate jewellery and large-scale sculptures, challenges traditional expectations.

Peregrine Falcon, 2022
Recycled materials, steel

Peregrine Falcon (detail), 2022

Recycled materials, steel

Peregrine Falcon, (detail), 2022
Recycled materials, steel

Ben Lyon
Ever since coming to Australia over 40 years ago, I have continued my fascination for timber and what it can do. We are so fortunate to have such a variety of naturally grown hardwoods covering all climactic types. It is a tragedy that often discarded furniture or building structures and trees are felled and dumped. We should all be conscious of our wasteful lifestyles.

I use salvaged or recycled timber as a preference as this gives often beautiful pieces a second restored life and the chance to be loved again.

Featured in this collection are Australian Red Cedar, Queensland Kauri Pine, Western Australian Jarrah, Huon Pine, Tasmanian Oak and local Silky Oak (Grevillea robusta). The timber has been sourced from demolition sites and reclaimed furniture. I have also used camphor laurel from trees which have been cut down because they are a threat to local bushland. They were introduced from China and are very intrusive, especially in rainforest areas, but they make beautiful timber.

We must preserve our bushland and wildlife to ensure we are preserving our fragile land for future generations.

 

Hand carved wooden box
$100

Hand carved wooden bowl
$80

Hand carved wooden boxes
$100

Photography by Tenille Salmon

Doreen Lyon
My original discipline is in drawing and watercolour but I have become interested in Eco printing on paper and fabric. I did extra courses in artist books, mono printing and have now become interested in adding stitch to create more texture.

Eco printing is kind of a natural dyeing technique that uses leaves, flowers, and other plant materials to create patterns and colors on fabric or paper. The process involves bundling plant materials and fabric together, then steaming or boiling the bundle to transfer the color and patterns from the plants to the fabric

 

Eco printed artist books
$250

Eco printed artist books
$250

Eco printed artist books
$250

Photography by Tenille Salmon

Gillian Baldock
A deep appreciation of, and concern for, the natural world provides the inspiration for Gillian’s art practice. Much of her work highlights the interactions and relationships of animals with each other and within the environment.

From an early age drawing, observation and research have been important components of her work, and Gillian continues to work in pastels, scratchboard, oils, and watercolour.

Printmaking has become an integral part of her art making repertoire as she explores various print making process and techniques to discover the optimum media to complement each subject.

Gillian has had three solo exhibitions and has contributed to many group and joint exhibitions. Her works can be found in many private collections around the world. www. drawnbygill.com.au www.facebook.com/drawnbygill www.instagram.com/drawnbygill

 

Terra Vitae 1, 2023
Etching and lino print

Something to sing about, 2023
Etching, and lino print

Where there’s smoke, 2018
Etching and mono print

Photography by Tenille Salmon

Ingrida Spole
I have always had a need to be making or creating. I have dabbled in spinning and weaving, metal, mosaics, jewellery, leadlight, copper foiling, printmaking and green wood spoon carving. I taught art for about 8 years  ( South Australia and Tasmania) and when I moved to NSW in1989 I was unable to secure a permanent art position so I retrained in Industrial Arts and taught that area until 2016.

I had always wanted to paint but thought it was beyond me. In 2013 I did a number of painting workshops with Steve Underwood and I have never looked back. I work with acrylics and mainly paint landscapes from my own images.

I have exhibited at BDAS in Bowral  for 5 years with the Picton Painters Group, The Shire Hall in Picton as part of The Wollondilly Arts group, Illuminate,  Fisher’s Ghost in Campbelltown, the Camden Art Prize and the Pirtek Still Life Art Prize at BDAS. I was invited to exhibit with The Camden Fine Art Gallery at a pop-up in Camden and with Practice What You Teach in Wollongong. Recently I was part of an exhibition at CCT in Robertson and I have taken part in the Blue Square  exhibition for the past 3 years. 

 

Crazy Birds, 2023
Gouache

 

Araluen Road, Moruya, 2022   
Acrylic on canvas
90 cm x 45 cm     
$500

Darling River, Wilcannia, 2023
Acrylic on canvas
130 cm x 77 cm
$1200

Ben Perryman

Emerging visual artist Ben Perryman, is situated in the small country town of Boorowa. Previously studying at the Canberra Institute of Technology, his passion is to experiment with various mediums and techniques. His broad strokes on canvas, empower the viewer to come to their own interpretation of each of his pieces. Ben uses his mood and imagination to create artworks that are unique. Ben is currently creating a pathway for people with mental health issues. His goal is to enable the peacefulness of colouring in to quieten people’s minds. 

Ben can be found on Instagram @trasnastudios  

The Prayer, 2023 
Acrylic on canvas
40cm x 50cm

A special time, 2023
Acrylic on
canvas
40cm x 50cm 

The conversation” 2023 45cm x 60cm Acrylic on canvas

Photography by Susan Bell

Karen Visser
Karen is a photographer, painter and crocheter and has been the chairperson of the Yass Art and Craft Cooperative (trading as the Giftmakers of Yass (facebook) in the old Liberty Theatre building) for more than 25 years.  

Karen is a member of STA, VASY and of the Art of Flow Creative Community led by Gabbi Lancaster Kitchener. Her Tidbinbilla bark inspired watercolour was included in the Belconnen Arts Centre ‘Earth Unframed’ Exhibition in March 2023, she exhibited at the Yass Show Society in 2022, 2023 and 2024 and participated in the ‘Squares’ Exhibition at Strathnairn Gallery, ACT in August 2023.

In January 2024 Karen held her first solo exhibition ‘Where do you find Hope?’ at Tyger Gallery in Yass.  She donated 50% of her sales from the exhibition to Yass Valley Cat Rescue. She works primarily in acrylics and watercolour.

Recently she has collaborated in crochet with local author Rhian Williams (link to STA profile and website) to bring the animals, insects and emergency vehicles featured in her children’s books to life. 

Karen’s photography features birds, landscapes and macro fauna and she contributed to the Reflections on Nature – An artist in residency Exhibition in February 2023 held at The Old Barn in Pialligo. The same exhibition will hang in CMAG in 2024.

 

Eucalyptus, 2023
Acrylic on paper

 

Everything is connected, 2023
Ink on paper

Harvest, 2023
Acrylic on canvas
30x 30cm
 $150

Nessa Lovell
Nessa Lovell is a Soul Code Artist and Inner Alchemist from the beautiful Yass Valley.  All of her work, whether her stunning intuitively channeled artworks and readings or 1:1 Inner Alchemy sessions are designed to reconnect women to their inner power, magic and wisdom.  You can discover more through her website www.nessalovell.com or her Instagram and Facebook pages @nessalovellart.  The artworks featured are part of her new project The Glimmer Movement, which you can discover more about here:  https://nessalovell.com/page/the-glimmer-movement.  The Soul Creator Cards featured in her images are also available through her website.  

Glimmer Card collection,
Photography by Susan Bell

Glimmer Card collection,
Photography by Susan Bell

Glimmer Card collection,
Photography by Susan Bell

Photography by Susan Bell

Ria Tierney 
Ria Tierney is a Yass Valley based multidisciplinary artist and arts educator residing just outside of Yass. She is the founder of Draffin Studio which specialises in handbuilt ceramics and black and white analogue photography. Ria is a graduate from Queensland Collage of Art (2009) where she studied photography and printmaking. Her art making practice explores the everyday and the mundane often in the context of rural Australia. As an emerging artist Ria has exhibitioned in group shows in Brisbane, Northern NSW and Canberra.  She was a studio artist at M16 artspace, Griffith in 2010 to 2014 and has been a finalist in the Queensland Festival of Photography,  the Independent Festival of Photography, Melbourne and the Northern Rivers Portrat Prize, NSW. You can view more of her work and practice at ria_pat on instagram.

Hills Hoist
Work on paper,

Best Bull, 2023
Handbuilt ceramic finished with custom glaze
$200

Call him Moose, 2021
Handbuilt ceramic with handpainted finish
$100

Photography by Susan Bell

Wendy Fraser
Wendy Fraser paints from her studio in Batlow NSW. She took up painting in retirement and is largely self taught but has attended several workshops in Australia and overseas. Wendy paints in all media and across a broad range of subjects. She exhibits and sells through regional art shows, her studio window and website: blackboxstudio.online. In recent ASOC Spring Exhibtions, Wendy was awarded Best in Show (2022) and Best Abstract (2023). Her contact is [email protected]

 

Brungle Mother and Child, 2023
Acrylic painting
$400

Autumn Harvest, 2023
Acrylic painting
$570
Benchtop Art, 2023
Acrylic painting

Photography by Susan Bell

Alison Ford
I am a visual artist living in Southern NSW, surrounded by rainforest. I create semi-sculptural pieces and paintings using paint, collage, pencils, ink, cardboard, and photography. My art is influenced by the constantly changing nature of colour in the world and I am interested in exploring the emotional impact of colour from an abstract perspective. I began a life of creating and making at an early age, but it officially began when I graduated with a degree in Landscape Architecture in 1991. I completed a Bachelor of Visual Arts (Honours) in Painting in 2017. My paintings are now part of the Australian National University collection and are held in many private collections in Australia and overseas. I have recently expanded my art practice to include photography and collage while maintaining a focus on abstraction.

My Place, 2023
Plant rubbings on paper on core board
29.5cm x 42cm

Untitled, 2023
Ink on paper on cardboard
28cm x 45cm

Untitled, 2022
watercolour on paper
25cm x 70cm

Photography by Frank Lidner

Lea Durie

Lea Durie, is based in Braidwood, NSW.  Lea holds a Masters of Contemporary Art Practice from the ANU. 

Lea has been the recipient of a number of awards including the 2024 North Queensland Ceramics Awards Jackson Family Award, Belconnen Arts Centre Emerging Artist award and the The Craft + Design Canberra Emerging Contemporaries Award in 2023.  Lea was also the recipient of a Highly Commended Mention at the Klytie Pate National Ceramic Award in 2023, and the Canberra Potters Society Doug Alexander Award (2021).

Lea’s work has been in numerous group and solo exhibitions including recent solo exhibitions at the Belconnen Arts Centre and Craft + Design Canberra in 2024.

 

Mountain Teapot
Ceramic, slips, glazes
14cm x 12 cm
Precarious I,II,III
Ceramic,  slips, glazes
22 – 24 cm x 8 cm each
Mud Dept. tableware collection 
Stoneware Ceramic, glazes
60 x 60 x 15

Photography by Frank Lidner

Lesley Sykes

I trained as an Art Teacher at the National Art School in Darlinghurst, Sydney, in the 1960s and taught Art in high schools for 45 years. The course was multi-disciplinary  and provided a solid foundation for the teaching of art and for developing my own art making practice. The works shown here reflect some of the different techniques.  Now, in a second life, my partner and I have created a home and light-filled studio in the tiny Mongarlowe Village in the Southern Tablelands. (STA: “Stories from the Studio”)
 
 I work in a variety of media and forms. In all my works, drawing underlies everything. Most recently, through trial and error, I have developed a “sgraffito” technique. Working on board, lines are scratched into the surface, rather than drawn. Layers of colour are applied and rubbed back becoming almost translucent. Accident and chance are an artist’s great friends. My artworks always have a personal narrative. They are the experiences of the spaces of my world – interiors, objects, views to the outside and the wonderful, overgrown jungle by the creek (the “witchy walk”). The new works are not visually realistic: shapes are distorted, planes tilt, surfaces collide and intersect.
 
In 2023, I was thrilled to win the QPRC Art Award for my work, “Back Creek: Bottom Pond”.  The painting gives the viewer the sense of wandering through that untamed area of the garden and lower ponds. I exhibit with BRAG (Braidwood) and in 2022 shared a show at the Hannah Fyre Gallery with two other artists.

 

Gymea Lily Seed Pods, 2001
Charcoal and conte crayon on paper
76x68cm (framed)
The Bathroom, 2022
Sgraffito and acrylic on board
64x64cm (framed)
Queen Lilies, 2019
Acrylic on canvas
90x90cm 
Friday

Photography by Frank Lidner

Lisa Stevenson

Photography by Frank Lidner

Friday

Photography by Frank Lidner

Ronnie Jordan

Photography by Frank Lidner

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Photography by Frank Lidner

William Verdon

Photography by Frank Lidner

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Photography by Frank Lidner

Bill Dorman
I am a Goulburn based artist and teacher working in metal sculpture and jewellery. I use an iterative and flow-focused methodology to develop a distinct visual language of whimsical organic forms from synthetic materials. I fuse and weld hammer-formed metal elements to explore themes of justice, immigration, climate change and the disconnect of people from their communities and the environment. By imagining distant evolutionary possibilities into fantastical sculptures and winding these stories and characters around an empathetic and reflective approach, I create works that examine the politicised and manufactured cultural divisions prevalent in Australia today. I have exhibited and taught in Australia, Canada and New Zealand and I was short listed in the North Sydney Art Prize for 2024

Outcrop, 2023
Steel, Brass, Copper, Bronze, Stainless Steel.
150 cm x 30 cm x 30 cm 
$12,000

All at Sea, 2023
Steel, Brass, Copper
120 cm x 60 cm x 50 cm
$12,000
 
 
Branch, 2023
Steel, Stainless Steel, Brass, Bronze
40 cm x 15 cm x 12 cm

Photography by Michael Thomson

Helen Eatough
I’m influenced by Australia’s ancient and beautiful landscapes like no other. The colours – light sandy tones, ochre and deep reds through to earthy browns combined with intricate texture variations coalesce in an experience that is uniquely Australia. This is what drives my artistic practice through the medium of clay, minerals and pigment.

My work is continually evolving through experimentation of combined ceramic techniques, surface decoration, textures and colours.
I’ve been practicing Ceramics for over 25 years, and now I am a full time Artist and Teacher working from my home studio in Goulburn.

 

Large Salad Bowl, 2021
Ceramic 
 
 
Entangled, 2023
Ceramic
Pinnacles – February 2023 
Ceramic 

Photography by Michael Thomson

Jenny Bell

Photography by Michael Thomson

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Photography by Michael Thomson

Kirsten Jeffcoat
Kirsten Jeffcoat is an art teacher, gallery educator and visual artist, principally working in drawing, painting, printmaking and photography. Her art making is based on her extensive travels and residencies in Australia and overseas. She has been particularly inspired by the Pilbara region of Western Australia where she was artist in residence in the ‘ghost town’ of Cossack. Her resulting exhibition ‘Taking the Pilbara to Paris’ started at the Australian Embassy in Paris and toured throughout France, Germany and to Malta. Learning the art of silk painting while studying in Paris, Jeffcoat developed a series titled ‘Pilbara Rock Mosaics’ which were based on the amazing rock formations from this area. When lit up by colour changing LEDs in light boxes at exhibition, the silk paintings captured the intense light, heat and colour of north western WA. Following recent return trips to the Pilbara Jeffcoat is revisiting the silk works and investigating ways of reproducing and extending them into new art forms.

Pilbara Rock Mosaics, 
Silk painting

Pilbara Rock Mosaics, 
Silk painting 

 

Pilbara Rock Mosaics, 
Silk painting 

 

Photography by Michael Thomson

Jodie Munday
I have been studying art and building my skills for most of my life. My passion for Visual Arts really took hold during my high school years and since than I have completed various different forms of study and work continuing to build upon my skills and arts practice.I began my own business Cr8ive Art in 2011. My art career was put on hold for some years during this time to begin raising a young family.

Over the past 2 years I have begun to focus on building my arts business back up again and have had work featured at Gallery on Track in Goulburn NSW, entered various local art exhibitions throughout our area, and have also begun working in schools supporting students and staff in various roles including Aboriginal Education.

My chosen areas to work in include drawing using various mediums, photography, printmaking, pottery, wood burning, weaving and a new found interest in painting. Many of my works are a combination of the above resulting in mixed media forms once completed. I love to represent nature in most of my work in various categories of animals, wildlife, flora, and a rural lifestyle, patterns that I find within different environments and using elements of my heritage of Celtic, Aboriginal and British decent.

The Bosses Hat, 2021
Graphite on Stonehenge Paper
18cm x 28cm

Travelling Home, 2022
Acrylic on Canvas
90cm x 60cm
$1400

Photography by Tina Milson

Kate Mackay
Kate McKay is a ceramic artist based in Collector, a small village on Ngunnawal Country near Lake George (Weereewa), NSW. Known for her stoneware cups, bowls, plates and vases, McKay’s work focuses on creating functional vessels for everyday use. Her foundational practice is deeply process-driven, centered on the traditional techniques of wheel-thrown and slab-built ceramics. She works from her studio, a converted 19th-century woolshed.
 McKay finds joy in creating objects that serve a purpose in daily life. My work focuses on familiar, domestic pieces that invite interaction. McKay loves the way ceramics can bring art into the home, becoming part of our everyday rituals.
Her work has been recognised over recent years through inclusion in the Thames and Hudson book Earth and Fire written by Tiffany and Kylie Johnson;  as a recipient of  the Veolia Mulwaree Trust Creative Arts Scholarship (2022); finalist recognition in the National Emerging Art Prize (2021); and in notable group shows such as Earthbound at Goulburn Regional Art Gallery, curated by Hannah Gee and the group show (2022), The Places We Inhabit, at the Potters Society Of Canberra, curated by Lea Durie (2024)

2 vases
Stoneware, thrown, with a satin white glaze
Beaker
Stoneware, thrown with an ash glaze
Iron rich stoneware cups with a celadon glaze.
Various vessels,
Thrown, stoneware with different glazes.  

Photography by Tina Milson

Larissa Fae

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Artwork name, year
medium
dimensions

Photography by Tina Milson

Zoe Perry
Zoe is a creative arts therapist who’s work is both explorative and symbolic. The pieces often carry a message or an expression of a theme from her personal journey. She enjoys meditation and contemplative reflection and her creative practice is a bridge between the two. Zoe is also inspired by the female form, and its ability to act as a portal of life, being a piece of art unto itself.

This particular body of work was created in 2023 while travelling in a van for 5 months up and down the east side of Australia with her son Elias. Originally from Yass, Zoe most recently has been creating from her new home in Newcastle, inspired by her new surroundings of ocean and earth. Zoe hopes the viewer is inspired to feel more connected to the earth that holds us, and the bodies that carry us around every day.
Reborn in the Darkness, 2023
Acrylic on canvas
100cm x 70cm (approx)
 
 

Tree Whisperer, 2023
Acrylic on canvas
61cm x 76cm

Shedding Skins (detail), 2023
Acrylic on canvas
110cm x 45cm (approx) 

Photography by Tina Milson

Susan Ducksbury
Susan is a creative spirit inspired by nature based in the rural Southern Tablelands. She has a lifelong interest in art and craft which she has pursued through a variety of courses including the Advanced Diploma of Fine Art as well as through her own practice. Her involvement in art has increased over time with over 90  exhibitions  to her credit, 15 of which were selected themed group regional  or inter-regional touring exhibitions.

Susan’s current works either for exhibition, sale or by commission engage by capturing and sharing the essence of nature with her viewers. The range of natural subjects she represents include pets, rural and native animals, birds and botanicals along with their environment. These are usually rendered realistically largely in pencil, pastel, watercolour and acrylics although graphite or charcoal also feature.
Overall Susan enjoys experimentation, working to a multi-dimensional theme  and using her work as comment particularly on environmental issues. Her works have encompassed a wide variety of media and techniques including drawing, painting, mixed media, ceramics, jewellery and textiles, printmaking and photography as well as three dimensional works. 
 
social media @susanducksburyfineart

 

Reclining Beauty, 2023
Coloured Pencil
Cat, 2022
Coloured Pencil
$400
Work Mate, 2023
Pastel & Pastel Pencil

 

Photography by Tina Milson

The Photographers...

Hilltops

Photographer Camilla Duffy Instagram

Wingecaribee

Photographer Hamish Ta-mé
Find out more

Wollondilly

Photographer Tenille Salmon Instagram

Goulburn Mulwaree

Photographer Michael Thomson Find out more

Yass Valley

Photographer
Susan Bell Instagram

QPRC

Photographer 
Frank Lidner
Find out more

Upper Lachlan

Photographer 
Tina Milson
Find out more

STA MEMBERSHIP
free & connects you to the STA universe

Reach out to us
[email protected]

0427 938 110  
Or by appointment at one of our
Mobile Office locations

PO Box 1323 Goulburn 2580
ABN 67 208 214 681

 

We acknowledge Aboriginal people as the traditional custodians of the lands where we create, live & work. 

© Southern Tablelands Arts. All Rights Reserved