The STA BOX Gallery Hilltops
The Young Town Hall is the home of the STA Box Gallery in Hilltops.
BOX Gallery exhibitions are available to STA Members on application. Members can apply for an exhibition in one or more BOX Galleries. If you would like to register an interest in a BOX Gallery exhibition email us for more information.
Enjoy the online gallery below and visit in person at Young Town Hall, Boorowa St Young.
Erased: Lost. by Lea Durie, Spring 2024
Ceramic works by Lea Durie from Braidwood.
I create works using ceramics, found materials, textiles and paper. My practice is concerned with our natural and built environment and how we can bring care to the forefront of our thinking. I am interested in places and materiality that is connected to that place, sometimes working with wild clay. Working with the materials of a place I explore the impact of extreme weather and a changing climate.
I explore land, maps and changes to the landscape through land use, with climate change as a point of reference.
Find out more about Lea at her website leadurieceramics.com.
Instagram @lea_durie and facebook.com/lea.durie
Purchase enquires are directly to the Artist [email protected]
Excised 2024
Wild Braidwood Clay, Stoneware Clay, slips and underglaze 15 x 17 x 11 cm
$300 Enquiries
House 2024.
Wild Braidwood Clay, Stoneware Clay, slips and underglaze 14x 9 x 9 cm
$200 Enquiries
Town 2024
Wild Braidwood Clay, Stoneware Clay, slips, decals and underglaze
30 x 12 x 12 cm
$450
Enquiries
Gaping 2024
Wild Braidwood Clay, Stoneware Clay, slips, decal and underglaze
12 x 9 x 9 cm
$200
Enquiries
Cutout 2024
Wild Braidwood Clay, Stoneware Clay, slips and underglaze
12 x 10 x 6 cm
$200
Enquiries
Landmarks 2024
Wild Braidwood Clay, Stoneware Clay, slips and underglaze
5 x 16 x 13 cm
$300
Enquiries
Past Exhibitions…
Sculptures by Walter Brecely, Winter 24
Artist Walter Brecely’s diverse education, spanning Fine Arts at Illawarra Institute of Technology (1993-95) and a Bachelor of Creative Arts majoring in Sculpture from University of Wollongong (2000), complements his proficiency in engraving, stone setting, and metal casting.
His work has earned acclaim including the 2008 Goulburn Regional Art Award, and finalist positions in several art prizes including the Woollahra Small Sculpture Prize and the Deakin University Contemporary Small Sculpture Prize. His latest accolade is the 2023 BOCCA Sculpture Prize. Walter was also the Lead Illustrator for the VR project Inanimate Alice: Perpetual Nomads from 2016 to 2018, a coproduction funded by Screen Australia and the Canada Media Fund. The project secured the 2020 Reader’s Choice Prize at Woollahra Digital Literary Awards and an Honourable Mention in 2017’s Turn On Digital Literature Prize.
Contact Walter directly through his website to chat about any of the works. All are for sale. walterbrecely.com Facebook:@BrecelyStudios and Instagram:@walterbrecely
Trembler, 2014.
Wood (elm), stainless steel, recycled diesel engine filters.
Enquiries
Organically Challenged, 2013.
Recycled lawn bowls, copper, recycled goblets.
Enquiries
Lawn Weeds, 2013.
Recycled lawn bowls, copper.
Enquiries
Saplings, 2018.
Copper, stainless steel, sterling silver, recycled glass.
Enquiries
The Walkers, 2012.
Recycled cutlery, stainless steel, sterling silver.
Enquiries
Artemis Anthropocene by J A Cornish, Autumn 2024
Plastic Mannequin, Papier Mache – telephone books, newspaper, PVA Glue; Eucalyptus Scoparia Branches, Eucalypt Angophora Costata Bark; Woodchips from Pine and Cypress; Charcoal; Magpie Nest – natural materials & plastic waste; Fairy Wren’s Nest – natural materials; Paper Wasp Nest – natural materials.
‘Artemis …’ is an obvious comment on waste and the overuse and destruction of natural resources, also the proliferation of plastic waste in our environment and the affect it has on our health and the health of the natural world. She’s made from a plastic mannequin covered in papier-mâché from telephone books and newspaper, specifically, the Sydney Morning Herald’s Good Weekend and News Review, the sections I read. I’ve got a love-hate relationship with paper, especially newspaper and magazines; I love to read, I hate that often what I’m reading was once a tree. The newspaper is mostly cut into leaves, and layered on the mannequin like they were drawn to her, almost in an effort to remake themselves as trees again.
There are also butterflies, a bee (made from multiple cut out bees), a dragonfly, and two crescent Moons cut from the newspaper – I actually wanted to do more and create a fresco across her upper chest, but cutting tiny exact insects ran into time I didn’t have (for now). Bees were chosen because they were sacred to Artemis and have been identified as the single most important species on earth. The butterflies and dragonfly are a nod to my Welsh ancestors and sister (who loves dragonflies), and Artemis wore a crescent moon as a crown. The leaves are also like shoals of fish, and I like this Homeric Hymn to Artemis traveling across the land: “The tops of the high mountains tremble and the tangled wood echoes awesomely with the outcry of beasts: earth quakes and the sea also where fishes shoal.” One of the 12 Olympian Gods, Artemis is Goddess of waters and rivers, her twin is the sun God Apollo, and Poseidon God of the ocean was her uncle.
As a nerdy child reading Greek Myths and Legends, Artemis was a favourite “…the first nymph, a goddess of free nature. She is an independent free woman, and she doesn’t need any partner…” Amongst other things, she’s the Goddess of the wilderness, wild animals, nature, vegetation: “…In bucolic (pastoral) songs the image of [Artemis] was discovered in bundles of leaves or dry sticks” – hence my sticks and branches.
The single most important piece in the sculpture is the magpies’ nest. Finding it and seeing that it was created by these brilliant birds from so much plastic waste broke my heart. I found the nest, which had blown down from a huge eucalypt in a storm, in 2018. Eight or so years of drought had denuded the local gardens and wild grasses and I suspect the Magpies had to scavenge far and wide to find any nesting materials, including the plastic packing tape, the spines of a plastic fence, the plastic netting and even the very large wood and wire mobile I’d created which they stole from my garden, a block from where I’d found the nest. The wire was unwound from some of the props in the mobile and wound thorough the nest. The thin fencing wire remains in the nest, but I had to remove the rest of the mobile as it was too heavy for my Artemis’ branches – quite the circle of creation.
And as for plastic and how it relates to Artemis, Goddess of the hunt, wilderness, reproduction, and women’s health? “Microplastics (MPs) and nanoplastics (NPs) are emergent pollutants, which have sparked widespread concern. They can infiltrate the body via ingestion, inhalation, and cutaneous contact (they can rub off by touch). As such, there is a general worry that MPs/NPs may have an impact on human health in addition to the environmental issues they engender… With the detection of MPs/NPs in fetal [sic.] compartment and the prevalence of infertility, an increasing number of studies have put an emphasis on their reproductive toxicity in female[s]. Moreover, MPs/NPs have the potential to interact with other contaminants, thus enhancing or diminishing the combined toxicity.” ** Plastic weakens Magpie nests too.
In some First Nations Lore, the Magpie is a messenger and guide.
*All quotes from Wikipedia, except: **Toxicity of microplastics and nanoplastics: invisible killers of female fertility and offspring health – National Library of Medicine. America. Published 2023 Aug 28. Yuli Geng, 1 Zhuo Liu, et al.
Rings of Life by Suez Hardy from Green Glass Studio, Spring 23
Suez is an upcycler, a lover of all that is old, worn and rustic, a self taught artisan who loves creating jewellery using recycled materials sourced locally from scrap heaps and vintage shops .
Suez’s pieces for this exhibition are expressions of time. Sculpted rings of Recycled Sterling Silver made consciously, with intention, celebration and purpose. These pieces are to remind us of the cycle of life, the chapters, years and the changing seasons… the growth rings.
Suez foraged and collected the Cherry wood with permission, for weeks, some of the timber hidden and buried deep. After months of experimenting, Suez returned to her ethos and culture, using a natural wax to polish the Cherry wood, kindest on the environment and enhancing the rings.
These bespoke pieces symbolise growth, resilience and the passing of time.
Enquiries for jewellery purchases to Rings of Life Gallery Exhibition – Green Glass Studio
Follow Suez on Instagram @greenglassstudio
My Detritus, installation by Eddie Mo Winter 23
Eddie Mo is an urban decorator or Street Artist from Hilltops who is conscience of the waste his art practise produces. My Detritus is created from waste packaging and items no longer fit for their original purpose. With flair and creativity Eddie has upcycled and other ‘waste’ into colour materials to create this installation. The heart of the work is a totem of over a metre tall, each element while transformed also retains its original form within the sculpture. Paint tins, an old back pack and cardboard boxes are surrounded by scattered items such as empty spray cans, hardened brushes, pens and other tools of the street artists trade.
My Detritus POA by contacting the artist.
Eddie is available for commissions and projects – why not decorate your urban space?
Follow Eddie on Instagram @ edddie__mo
Just Passing Through, Wood Sculptures by Jeff Peady Autumn 23
A group of four wooden sculptures of birds that visit the
Hilltops region. Jeff shows a love of these magnificent creatures in his thoughtful carving. Each bird is imbued with personality and delicate faces that hold your gaze.
Enquiries for artwork purchases: please contact Jeff directly on email
Find out more about Jeff on an artist lead studio tour.
Glass Birds by Peter Minson Summer 2022-23
Peter Minson is one of the STA region’s most accomplished glass artists with a career spanning six decades as a lampworker.
This exquisite family of six glass birds were created by Peter for an exhibition in the UK and showcase his mastery of glass as an artistic medium. The works form part of the Artist’s private collection and are not for sale.
Visit Peter Minson Glass Art online. The galley is a great destination in Binalong (Yass Valley) is open Friday-Wednesday 10am-5pm call ahead on 02 6227 4312
Porcelain Painting by Robyn Moore Spring 2022
The first ever STA Box Gallery exhibition in Hilltops by Robyn Moore.
Robyn lives and works from her home in Young. Her delicate and highly accomplished works reflect the skills of one of Australia’s most highly regarded porcelain painters.
All pieces are completely hand done using traditional porcelain art techniques. The process involves various applications of work and are fired several times in a kiln to temperatures exceeding 800 degrees.
Apart from the STA Box Gallery Robyn’s work can be seen at Which Craft & Coffee Cottage. Please contact the artist for sales enquires
The Hilltops STA BOX Gallery
Located in the entry Foyer of the Young Town Hall, a community hub and the administrative centre of Hilltops Council.
Enjoy this online gallery of works to compliment a visit to see the exhibition at 189 Boorowa St, Young.
Exhibitions change seasonally.
The STA Box Gallery is supported by our venue partner Hilltops Council
STA MEMBERSHIP
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[email protected]
0427 938 110
Or by appointment at one of our
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PO Box 1323 Goulburn 2580
ABN 67 208 214 681
We acknowledge Aboriginal people as the traditional custodians of the lands where we create, live & work.
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